Perhaps there is something inherently musical in the experience of abstract art. Wassily Kandinsky’s abstractions were the result of a lifelong preoccupation with the relationship between sound and colour. He discovered his synaesthesia at a performance of Richard Wagner’s opera Lohengrin in Moscow: ‘I saw all my colours in spirit, before my eyes. Wild, almost crazy lines were sketched in front of me.’ Synaesthesia unites the senses in such a way that the stimulation of one acts like a powerful domino for the others, involuntarily collapsing them together.
“Piet Mondrian’s work also encapsulated the rhythm, energy and structure of jazz, introduced to him by US soldiers after the First World War.”
via Nautilus, “Going to the chapel” by Nathan Dunne